Hans Memling (before 1440-1494)
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Hans Memling was a Flemish artist born in Germany some time between 1430 and 1440. He is also sometimes known as “Memlinc” or “Hemling,” but little is known about his early training or work. It is speculated that he may have received instruction in Cologne, Germany, and that he also worked in Brussels and Bruges. Art historians agree that he was probably a student of great Netherlandish painter Rogier van der Weyden, who’s influence is noted in Memling’s earliest authenticated works. Some art critics say that many of his authenticated works show that Memling may have even surpassed his teacher, van der Weyden, in technique and style.
Memling was also influenced by fellow painter Bouts, but eventually created a style of his own. Memling’s personal style involved great charm in the movement and expression of his figures, as well as narrative richness and beautiful colors.
He was accepted as a master of the St. Luke League of painters in 1467, and was considered the number one artist in Bruges from 1468 until 1486. Outside of the Netherlands, van der Goes was also hailed all over Europe as the most popular Flemish artist during his time.
Despite the fact that Venetian and Florentine art were reaching their peak of popularity during his career, Memling works were still highly prized in Italy for their solidity and harmony. For example, in Memling’s work he began to employ many measures of Realism, for his angel’s have no need for wings, nor do his Saints need clouds. Instead, Memling used symbols to identify his saints, for example, St. Barbara is represented with a tower and St. John the Baptist with a cross and sheep.
Towards the end of his career, Memling became highly influenced by Early Renaissance Italian art. Though he was known for his religious pieces, Memling also created portraits, and more than 25 are attributed to him today.
Though Memling’s work is less admired today than that of fellow painters Hugo van der Goes and Jan van Eyck, he was once regarded as the greatest painter of the late 15th century. Memling’s work is still highly prized at auction, and are still prominently displayed in museums all over the world. Still wondering about a 15th century Flemish painting in your family estate? Contact us…it could be by Hans Memling.